Also Known As
Paul Lisa and Caroline
Actresses:
* Ann Webster
* Carol Romo
* Diane Miller
* Eileen Leese
* Gena Lee [Facial]
* Hillary Scott [NonSex]
* Honey West [NonSex]
* Jana Knox [NonSex]
* Kalifa
* Karla Garrett [BJOnly]
* Margaret Monroe
* Mary Fraga
* Tomy
Actors:
* Bruce Allan Brown
* Charles Gabriels
* George K. Monagham
* Jacques Girard
* James Rain
* John Boland
* John Hollyfield
* Mickle Scott
* Robert Bullock (as Richard Aaron)
* Robert Monday
* Ron LaSauce
* Ted Roter (as Tovia Borodyn)
* Bill Margold (as William Margold) [NonSex]
Scene Breakdowns:
* Scene 1. Gena Lee, Ted Roter
* Scene 2. Gena Lee, Ted Roter
* Scene 3. Diane Miller, Ted Roter
* Scene 4. Diane Miller, Gena Lee, Ted Roter
* Scene 5. Karla Garrett, Ted Roter
* Scene 6. Gena Lee, Tomy, Ted Roter
* Scene 7. girl, guy
* Scene 8. Karla Garrett, guy
* Scene 9. Ann Webster, John Boland
* Scene 10. Gena Lee, Tomy, Ted Roter
* Scene 11. Margaret Monroe, Ted Roter
* Scene 12. Gena Lee, Robert Bullock
* Scene 13. Gena Lee, John Hollyfield
* Scene 14. Ann Webster, Gena Lee, Girls, Margaret Monroe, Guys, John Boland, Ted Roter
* Scene 15. brun, Ted Roter
* Scene 16. Gena Lee, Ted Roter
* Scene 17. Diane Miller, Gena Lee
Download:
filejoker.net/p5yqeo1zbelh/Forbidden_Vintage.avi
A critic at imdb.com wrote:
From the pretentious early stages of his creative career, PAUL, LISA AND CAROLINE (also known as FORBIDDEN or, inappropriately, CLOSET CASANOVA !) strives to be the type of torturous relationship drama that John Cassavetes was then gaining fame – and, in some circles, notoriety – for. Paul (Roter, a smugly handsome leading man) is a middle-aged director of TV commercials who has a longstanding on-again, off-again relationship with actress Lisa (Diane Miller) when he marries much younger fledgling writer Caroline (Gena Lee) out of the blue. Initially apprehensive of one another, the two women end up falling in love, excluding Paul from their union, with tragic results. That’s the gist of the story but somehow that’s not the way Roter tells it. Events occur with little regard for continuity, so much at times I thought the projectionist (yep, I saw this theatrically, screened at the good old ABC theater in Brussels – Roter’s place of birth – a mere 2 weeks ago !) had the reels all mixed up. What scant reviews have appeared over time concerning the director’s early works however seem to indicate that this seemingly random approach to narrative was in fact an entirely intentional attempt at art-house loftiness.